About
Alberto Mira
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Cannes Day 5: Wrapping up!
26/05/2017
Ladies Who Lunch
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Cannes Day 4: The Shrill and the Serene
25/05/2017
Ladies Who Lunch
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Cannes Day 3: Distant places
24/05/2017
Ladies Who Lunch
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Cannes Day 2: Four family portraits
23/05/2017
Ladies Who Lunch
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Cannes Day 1. Nicole Kidman is not everywhere
23/05/2017
Ladies Who Lunch
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On Ghosts and Lies: Frantz (François Ozon, 2016)
20/05/2017
The Movie Grinder
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Los antisociales, by Geoffroy Huard. A Review.
20/05/2017
Queering Men
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Doin’ Cannes: Un certain regard and all the rest
18/05/2017
Ladies Who Lunch
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Sweat, Art and Death: All That Jazz (1979)
18/05/2017
Heart and Music
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Bye Bye Birdie (1963): Broadway takes on rock.
17/05/2017
Heart and Music
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Mystique and anatomy: three stages in the screen representation of the penis
17/05/2017
Queering Men
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Promoting fantasy: The Music Man (1962)
15/05/2017
Heart and Music
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Doin’ Cannes: The Official Selection
14/05/2017
Ladies Who Lunch
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Cannes for ladies who lunch!
13/05/2017
Ladies Who Lunch
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The cinematic in the musical: Sweet Charity (Bob Fosse, 1969)
12/05/2017
Heart and Music
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Fonda, MacLaine, Wood: Sexuality and the sex comedy in the 1960s
11/05/2017
The Age of Jane Fonda
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Jane Fonda in Coming Home (Hal Ashby, 1978)
11/05/2017
The Age of Jane Fonda
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Mainstreaming Gay Porn
10/05/2017
Queering Men
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Women As a Mystery: The Chapman Report (George Cukor, 1962)
09/05/2017
The Age of Jane Fonda
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Hollywood, sad and funny: on Ryan Murphy’s Feud
07/05/2017
Ladies Who Lunch
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Jane Fonda in five roles
05/05/2017
The Age of Jane Fonda
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Have I seen this film before?: Lady Macbeth (William Oldroyd 2016)
05/05/2017
The Movie Grinder
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Judas, Our Contemporary: Revisiting Jesus Christ Superstar
05/05/2017
Heart and Music
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The Hollywood Musical in the Seventies in Ten Numbers
04/05/2017
Ladies Who Lunch
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