About
Alberto Mira
Personal Website
0
Cannes Day 5: Wrapping up!
May 26, 2017
Ladies Who Lunch
0
Cannes Day 4: The Shrill and the Serene
May 25, 2017
Ladies Who Lunch
0
Cannes Day 3: Distant places
May 24, 2017
Ladies Who Lunch
0
Cannes Day 2: Four family portraits
May 23, 2017
Ladies Who Lunch
0
Cannes Day 1. Nicole Kidman is not everywhere
May 23, 2017
Ladies Who Lunch
0
On Ghosts and Lies: Frantz (François Ozon, 2016)
May 20, 2017
The Movie Grinder
0
Los antisociales, by Geoffroy Huard. A Review.
May 20, 2017
Queering Men
0
Doin’ Cannes: Un certain regard and all the rest
May 18, 2017
Ladies Who Lunch
0
Sweat, Art and Death: All That Jazz (1979)
May 18, 2017
Heart and Music
0
Bye Bye Birdie (1963): Broadway takes on rock.
May 17, 2017
Heart and Music
0
Mystique and anatomy: three stages in the screen representation of the penis
May 17, 2017
Queering Men
0
Promoting fantasy: The Music Man (1962)
May 15, 2017
Heart and Music
0
Doin’ Cannes: The Official Selection
May 14, 2017
Ladies Who Lunch
0
Cannes for ladies who lunch!
May 13, 2017
Ladies Who Lunch
0
The cinematic in the musical: Sweet Charity (Bob Fosse, 1969)
May 12, 2017
Heart and Music
0
Fonda, MacLaine, Wood: Sexuality and the sex comedy in the 1960s
May 11, 2017
The Age of Jane Fonda
0
Jane Fonda in Coming Home (Hal Ashby, 1978)
May 11, 2017
The Age of Jane Fonda
0
Mainstreaming Gay Porn
May 10, 2017
Queering Men
0
Women As a Mystery: The Chapman Report (George Cukor, 1962)
May 9, 2017
The Age of Jane Fonda
0
Hollywood, sad and funny: on Ryan Murphy’s Feud
May 7, 2017
Ladies Who Lunch
0
Jane Fonda in five roles
May 5, 2017
The Age of Jane Fonda
0
Have I seen this film before?: Lady Macbeth (William Oldroyd 2016)
May 5, 2017
The Movie Grinder
0
Judas, Our Contemporary: Revisiting Jesus Christ Superstar
May 5, 2017
Heart and Music
0
The Hollywood Musical in the Seventies in Ten Numbers
May 4, 2017
Ladies Who Lunch
1
2
Next »
